Artistik Teknologi Seni Digital

Artistic Digital Art Technology: Video Games and Graffiti Lighting (Light Painting)

The scope of art as a result of artistic activity that includes sound art, art movement and art activities in accordance with the media. The media has a meaning in this case means that define the limits of the scope of art. Art itself in Sanskrit is called cilpa which means color. And in English art has a root word meaning modes, road, or cara.Jadi art has a function that one of them is as a medium to express themselves, or to give an appreciation of what we feel.

In the arts community itself rather as an abstract thing, and just rely on our feelings when creating art sendiri.namun, along with the development of the times and technology, the arts also experienced rapid growth, until now comes the so-called digital art. Digital art itself is a work of art created by combining the existing digital technology with our ability to appreciate what we feel that creating a work of art that are of interest masyarakat.dalam this article the author takes the video game cntoh light graffiti and art (painting light).

A. Video Game

Video games have grown so rapidly in our society today. Even been played by all ages and profesi.hal is because the sophistication of digital technology in computer technology combined with artistic computer game that sendiri.Video memugkinkan us to interact with others in a different world (the world game), and also allows us to create the world we inginkan.berbeda with the television movie that just allows us to see in a single direction. as one of the digital art, video games certainly can not be separated from the two components of the artistic or art in it, such as how we design the course of the game itself and how we make the game so they can have a positive impact on the wearer. and also the technology used to implement the art that was created because without digital technology, we can not make it into a vodeo game.dari it is seen that in the digital arts were highly correlated both kompnen membutuhkan.jika and each one of these components does not exist, then it can not be said to be a digital art.

2. Light Graffiti (light painting)

Light Graffiti or art of painting began to flourish in the light of today's society. This is because the process of creating art in itself a very interesting and challenging as well as the results are very artistic.salah one form of digital art can be said to be a blend of technology of photography, light painting, and graffiti.Cahaya - light generated from the tool - a tool such as flashlights, bulbs, fireworks, or any object that can emit light. Then the light - the light was taken using a digital camera that produces images that are very artistic.hal is what makes the public interest in this is enormous. Can be said of digital art creation process is similar to painting, only the darkness of night as a canvas, and light bulbs as a paint. and like the previous example that every digital art composed of two main components, as well as light graffiti which is a combination of these two components, namely the sophistication of digital camera technology used to take pictures, and of course the soul of our art in view of the form - the form the artistic of the light produced.

Below is an example - an example of digital art, light graffiti:

            

      

CORE READING - Artistik Teknologi Seni Digital

Art Spectacular: Skill, Hard Work, and Purity of Heart

Making a Work of Art Spectacular: Skill, Hard Work, Love and Purity

Planning costumes, choreography and artistic background of high technology, bringing the past into the present.

Overall necessary preparations for a year. Dancer costumes, choreography is precise with a marvelous background has made the NTDTV Chinese New Year Spectacular is stunning.

Group of world-class dancer, Divine Performing Arts Spectacular world tour brings the show to the world's top performing arts. There is uniqueness in this Spectacular show than a show of Chinese culture in general, especially in terms of bringing the atmosphere of the past into the present.

These dances featuring Chinese history 5000 years old and the various traditions of Chinese society, ranging from Tibet to Mongolia to the Yunnan region, as well as the dances of the palace.

Tsuai Yung Yung is one of the Divine Performing Arts choreographer and a teacher Martha Graham School of contemporary dance. As a choreographer and dance teacher, dancer Tsuai help a lot of preparation to deal with the annual show. Preparation includes daily exercise immediately after a world tour that year was completed.

For Tsuai, natural appearance is very important as well as expertise in bring.

"When art presents the beauty and positive side of human nature, can positively influence the audience about how they interact with other people in their daily lives," he said.

He stressed that the Spectacular is a unique show because how that is done to bring the audience beyond the deadline to the days when humans stressed chivalry, loyalty and honesty.

"We not only perform traditional Chinese culture per se, but we also try to awaken the longing for beauty and goodness in the community," said Tsuai.

Colorful costumes

While the theme of dance and choreography that brought the art of ancient Chinese cultural traditions of the past, dancers costumes also show the authenticity of sparkling color. Just as in dance performances, prepare costume is a long process and the full rigor.

Adjusted to the concept of making dance costumes that will be displayed. If the dance is set in a dynasty, the costumes must be tailored to the history of the time, says designer Amy Lee.

"When I came to the United States, I find it difficult to find an expression of traditional Chinese culture. Through this show, I saw a hope in keeping this culture for the sake of future generations. "

The designers refer to the canvas paintings, wall paintings and sculptures from time to time to gain insight into his style of dress, hairstyle, shoes and accessories at the time. Then make a sketch, with the understanding should not be one hundred percent equal to that era, also designed in such a way as to not interfere with freedom of the dancers, where they have to jump and spin 80 times throughout the show.

Scratches can be a costume sketches after the clothing store. A pattern is created and an instance created costumes. If approved, the costume will be duplicated into dozens. If rejected, the process will be repeated again.

Lee emphasized the deeper characteristics of the costume. "Clothing is not just a garment. Also clothing reflect a person's thinking, culture and respect for the Creator. "

Touch technology (hi-tech) in the culture of the past

However, all the dances and costumes of charm, it also requires a background setting, the place where the event's history is displayed. Sensation at the time the arrangement of the background can be achieved with a touch of modern technology.

The touch is able to combine art high technology, electronics and photo projection background.

Spectacular performances using this combination to create the animated backgrounds and views of Chinese domestic architecture of the past to audiences around the world.

Jim Chu, a digital design New Tang Dynasty said that the process was started seven or eight months before the show. Like the costumes of dancers, this process begins with the observation in the books, paintings and other things that can explain the real history.

Every small detail needs to accuracy, he added.

"We do not install a window or door style of the Ming Dynasty to the Qing dynasty Tang Dynasty buildings. Some experts in the audience may be able to recognize the error, "he said jokingly.

As well as dance and costume, the background has the primary purpose of which also require more detailed study. The whole team must work together to bring the sensation of the past, naturally presenting the ancient Chinese tradition into today's real. For example, in the Tang Dynasty, where virtue and piety are emphasized in daily life, in the bring back the values ​​of human culture is best at that time in public life.

In the end the whole dancer, dancer costumes and backgrounds united to bring the audience into the period of the most pristine in the history of mankind. Of course, there are other elements that also play a role. Support equipment such as a giant lotus flowers, flags and swords also need to be made.

Similarly, a one-year preparatory period by a team of orchestra supporters Spectacular show, Divine Performing Arts Orchestra. But this is another story. (The Epoch Times) ***

CORE READING - Art Spectacular: Skill, Hard Work, and Purity of Heart

Staging arts Kuda Lumping Iromo Turonggo Megelang

Staging arts Kuda Lumping Iromo Turonggo Megelang, Central Java, the Bali Arts Festival (PKB) to watch a spectacular 34-pack of Bali Cultural Park, Wednesday (20/06/2012).

Art is supported by around 30 artists in the story there is a strong link with the legend of King Klana Sewandana left behind his wife, while in his quest he must duel against "Buto" (Barongan).

Arts Leaders Group Iromo Turonggo Kuda Lumping, Ratno said the preparations for the gig in the arena of PKB done about two months. "Preparations have been made since two months ago. But consolidation stage we did two weeks ago," he said.

According Ratno, kuda lumping arts groups have been around a long time in the hamlet Gopalan, Genita Village, District Windusari, Magelang regency. "We're working to preserve the increasingly rare art in the advancement of modern art," he said.

Sriyati, lumping horse dance was deeply pleased to be performing at the annual cultural event on the island. "I am pleased to appear in the CBA. Moreover, we are a group of art from the village. Yes, we could at least entertain the people of Bali and the tourist crowd," he said.

He said the art is already often performing in several cities, such as in Taman Mini Indonesia Indah (TMII) Jakarta, Surabaya, Prambanan and the last in Bali. "I'm dancing to a halt. Because of my own love of this art," he said.

Meanwhile, Shizuka, tourists from Japan said he was happy to watch the dance because the dancers are very compact with the sound of the gamelan. "I like to watch the dance. Although I do not understand the story. Anyway I enjoyed the dance," he said.

Lumping horse dance is one of the leading arts area surrounded by five mountain, namely Mount Merapi, Merbabu, Andong, Cleft and Mountains Menoreh with Borobudur tourism icon. Traditional art was particularly thrive in Windusari District, one of the 21 districts in Magelang regency, Central Java.

CORE READING - Staging arts Kuda Lumping Iromo Turonggo Megelang

Children's creativity

Children's creativity as a New Force for Economic Affairs Indonesia

Recently we saw the news about Esemka, car products work in kids SMK Surakarta. This car was first popularized by the Mayor of Solo himself, Mr. Joko Widodo who used it as his official car. This news is pretty phenomenal, to generate debate among public officials on the pros and cons of the use of the work product of this nation's children. However, it should be appreciated Esemka positive as optimism continued into the next generation of people in the middle of the negative aura and pessimism that seemed inexhaustible exposed to media, moral hazard on the nation's leaders.

Esemka phenomenon, as a result of domestic creativity recalls how wonderful our human resource potential in producing a product that has value for even high sales value in the market. See how a glance can be a trending topic Esemka among public officials and businessmen as well as a high appreciation of the product. This suggests that the public are hungry for the work of the nation that became the pride of the country a competitive product on the market.

The question now, want to carry around momentum (Esemka) by the public? Esemka this phenomenon brings us to two things we associate a momentum behind the rise in the national news this car. The first is how we try Esemka of raising or moving the country back into a child's creativity and quality products to its market value. The second is how from this Esemka, born and products made in Indonesia as the strength of Indonesia in the domestic and international markets.

Creativity, key words are often the standard reference for the nation to achieve success. The question now, can it be realized as a value-added end product? Maybe this time we are trying to stop prides itself as Indonesia, the richest countries in natural resources here in the world if we can not process all of it into a final product that has a competitive and high added value. All too often we hear the sad story of how Indonesia is so vigorous and proud of exporting their natural resources according to their number one in the world if it turns out that importing country's natural wealth is transforming them as products of high quality and expensive on the market worth selling. Enough that we are proud of it, let's think for a moment. Indonesia still has 220 million population of Indonesia is intelligent, skilled, and can process a single word: creativity earlier. We need it, it's pretty much the name of Indonesia fragrant with the generation of the educated world-class achievement, and it was proved that the potential of our human resources are not lost. The issue is now how we surge their spirit, they embodied the potential to create something, employ something. There have been many success stories of the work products of Indonesia in the eyes of the world, ABC Batteries, JCO Donuts, Le Monde, Indomie, Polygon, Essenza, etc.. Esemka himself pointed out that "all able to work ', is how the main impetus came from myself to process what is' all in Indonesia' to be a popular product in the international market.

Made in Indonesia may be a term that is not so popular, even by its own domestic consumers when choosing a product in department stores in Indonesia. Sad indeed, but that's a fact, and it should be abolished as an impetus to make the products in the country's new national economic strength. See the fact that high economic growth in Indonesia 6.5%, which is still supported by the financial sector, rather than productive sectors of agriculture and manufacturing a range of percentage of support from the sector is decreasing. See also how the 6.5% was driven by domestic consumption instead of productive sectors. This is an advanced answer to the question of how to continue racing in Indonesia's economic growth, but no significant changes in the welfare of the community. How the lack of our society to move, utilize their potential for productivity that produces something. The wheels on the real economy must be driven, and the bracket is the community itself with the spirit of hard work and creativity of work. If it is in the hearts of our communities, stigma 'lowly' Made in Indonesia could disappear, and even change into a form of pride for his enthusiasm and creativity of the people of Indonesia to compete, produce the best products that can be sold in the market domestically and internationally.

The nation's future in the hands of the younger generation, the future of the national economy is in the hands of the hands of our young people who have a creative, productive life, work ethic, and passion for meciptakan something. Not the consumptive our financial sector we are we can be proud again from now on as a driver of economic growth, but how creativity, "let's make-or create something" as a passionate young people today, creating a product 100% Indonesia as Esemka, which of course not only phenomenal in the eyes of public officials, entrepreneurs, and communities in the country, but also a product trending at an international audience. Hope.

CORE READING - Children's creativity

Kuda Lumping In Bali Indonesia

Staging arts Kuda Lumping Iromo Turonggo Megelang, Central Java, the Bali Arts Festival (PKB) to watch a spectacular 34-pack of Bali Cultural Park, Wednesday (20/06/2012).

Art is supported by around 30 artists in the story there is a strong link with the legend of King Klana Sewandana left behind his wife, while in his quest he must duel against "Buto" (Barongan).

Arts Leaders Group Iromo Turonggo Kuda Lumping, Ratno said the preparations for the gig in the arena of PKB done about two months. "Preparations have been made since two months ago. But consolidation stage we did two weeks ago," he said.

According Ratno, kuda lumping arts groups have been around a long time in the hamlet Gopalan, Genita Village, District Windusari, Magelang regency. "We're working to preserve the increasingly rare art in the advancement of modern art," he said.

Sriyati, lumping horse dance was deeply pleased to be performing at the annual cultural event on the island. "I am pleased to appear in the CBA. Moreover, we are a group of art from the village. Yes, we could at least entertain the people of Bali and the tourist crowd," he said.

He said the art is already often performing in several cities, such as in Taman Mini Indonesia Indah (TMII) Jakarta, Surabaya, Prambanan and the last in Bali. "I'm dancing to a halt. Because of my own love of this art," he said.

Meanwhile, Shizuka, tourists from Japan said he was happy to watch the dance because the dancers are very compact with the sound of the gamelan. "I like to watch the dance. Although I do not understand the story. Anyway I enjoyed the dance," he said.

Lumping horse dance is one of the leading arts area surrounded by five mountain, namely Mount Merapi, Merbabu, Andong, Cleft and Mountains Menoreh with Borobudur tourism icon. Traditional art was particularly thrive in Windusari District, one of the 21 districts in Magelang regency, Central Java.

CORE READING - Kuda Lumping In Bali Indonesia